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504–907 is a diptych-based documentary photography project comparing Southern Louisiana and Interior Alaska primarily through New Orleans and Fairbanks. The project explores how ordinary elements of life can create interconnectivity between seemingly opposite lands.
The Yellow Chair Series is an ongoing ethnographic portrait project documenting the Katrina Generation of New Orleans through medium format and 35mm photography alongside long-form interviews. Created across multiple years and revisitations, the project explores memory, friendship, adulthood, belonging, and the long aftermath of Hurricane Katrina through the lives of individuals who grew up in its shadow.
Shrouded Light is a digital infrared photography series that transforms landscapes through the surreal palette of full-spectrum infrared light. Using vibrant reds, pinks, oranges, and yellows, the project explores the tension between aesthetic beauty and environmental unease, encouraging viewers to reconsider how photography can visualize the interconnected realities of environmental change.
Gutter Ecology began through a simple curiosity about the ground beneath us. While traveling across cities, neighborhoods, highways, and coastlines, I became interested in photographing the overlooked materials people leave behind. The project considers trash as part of a broader socio-ecological system. Cigarette butts, crushed cans, plastic bags, dead animals, stains, and debris become evidence of human movement, consumption, neglect, and presence. Gutter Ecology treats the street, sidewalk, and gutter as small archives of contemporary life, asking viewers to reconsider the ecological and cultural worlds created through what we throw away.
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